Christopher Small

[O]ur present-day concert life, whether “classical” or “popular,” in which the “talented” few are empowered to produce music for the “untalented” majority, is based on a falsehood. It means that our powers of making music for ourselves have been hijacked and the majority of people robbed of the musicality that is theirs by right of birth, while a few stars, and their handlers, grow rich and famous through selling us what we have been led to believe we lack.

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