Masada, “Jachin,” Sanhedrin, 2005.
Leroy Jenkins, “Blues #1,” Solo, 1999.
Mazz Swift, Tomeka Reid & Silvia Bolognesi, “Ova,” Hear in Now, 2012.
The […] thing is that notion of creativity, not being afraid to explore your instrument, to allow the instrument to sound the way it will sound by itself no matter what you do to it. An instrument has a quality that, if you allow it to share it with you, to be a part of what you’re doing, it will give you a sound that no one else has. It will give you articulation and shapes or musical phrases and structures that no one has, and it will introduce this extra sonic aspect. It’s all inside the instrument, but most people fight hard to keep it from coming out.
— Wadada Leo Smith (interviewed here)
Philip Cohran and the Artistic Heritage Ensemble, “On the Beach,” On the Beach, 1968/2015.