47 years ago today, a group of musicians gathered in Chicago, IL to form an organization whose aim was to support music that fell outside the parameters of conventional practice, culture, and exhibition. The following week, the group came to be known by the name it has had since that day: the Association for the Advancement of Creative Musicians, or the AACM for short.
The matter of influence is a varied and frequently complex one, not least because of its relationship to authenticity, which I address here. I think it’s worth reiterating that I believe being truthful to one’s influences is as much a moral matter as it is a practical one, if not more so.
It wasn’t very long ago that if one wanted to see films notable for their distinctly experimental nature and relative historical import, one had to:
a. attend screenings in major metropolitan areas;
b. rent prints oneself from The Filmmakers’Coop or Canyon Cinema, mostly, though New Yorker Films had an extensive catalog of European art cinema, and still might;
c. wait for a nearby university to host a screening.