I carried a laminated picture of R.W. Fassbinder in my wallet for awhile, more as a reminder that such a kind of person existed at all than that such a kind of person might exist more than once. I handily relieved myself of it one drunken night over 20 years ago by flinging it down a bar at a trio of German bankers with whom I was arguing the auteur’s merits. I was, I imagined, fulfilling a role of some sort, an enfant terrible perhaps, but the truth was that I was drunk and loved cinema more than those bankers did.
In any case, it’s impossible to imagine Fassbinder at 73 years old, as he would have turned yesterday, or 72 as some sources have it.
In converstaion with a friend earlier this week, we discussed how seeing one Fassbinder film didn’t disclose much about his greatness but that one should rather see 10 of his films to get the gist, and that given his filmography, this effort could be carried out at least three times without repeating a single title.
My friend and collaborator Chris Ernst has completed his latest feature film. It’s called Corpse.
Great short interview with Lynne Ramsay, whose Ratcatcher was a true cinematic revelation for me, a work of extraordinary power and grit.
I saw this film in its 40min entirety when I attended Hunter College almost 20 years ago. If you have a similar chance or the attention of a professor, teacher, curator, or film programmer, it would make a fine addition to any women’s film series. It was produced in 1971 by Third World Newsreel, a media distribution company whose roots are in consciousness-raising and political awareness.
“From a Spark to a Fire” from Damon Locks’s Where Future Unfolds.
Jonah found a student video whose subject and duration were well-suited to the theme of this number.
Béla Tarr, Sátántangó, 1994.