Some Thoughts on Ms. White, Mr. Lowery, and Getting on with Our Art

I.

My interest in the WhiteLowery affair has been driven almost entirely by my friends’ feelings on the matter. As for myself, I can only add or amplify that if one chooses to take part in the mainstream recording industry, one is consequently subject to conditions characteristic of profit motive in all cases. Among the artists with whom I collaborate, however broadly, two axiomatic truths come to bear in this light:

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