I carried a laminated picture of R.W. Fassbinder in my wallet for awhile, more as a reminder that such a kind of person existed at all than that such a kind of person might exist more than once. I handily relieved myself of it one drunken night over 20 years ago by flinging it down a bar at a trio of German bankers with whom I was arguing the auteur’s merits. I was, I imagined, fulfilling a role of some sort, an enfant terrible perhaps, but the truth was that I was drunk and loved cinema more than those bankers did.
In any case, it’s impossible to imagine Fassbinder at 73 years old, as he would have turned yesterday, or 72 as some sources have it.
In converstaion with a friend earlier this week, we discussed how seeing one Fassbinder film didn’t disclose much about his greatness but that one should rather see 10 of his films to get the gist, and that given his filmography, this effort could be carried out at least three times without repeating a single title.
“From a Spark to a Fire” from Damon Locks’s Where Future Unfolds.
I was in Colorado last week for a family event and took these pictures in the course of a hike into a very small portion of Rocky Mountain National Park. What appealed to me about these subjects was the disarray, the contrast between cleared and nearly-uniform wooded areas and meadows, and the invasive presence of the root balls and fallen trees that previously contributed to that order. Each of these photos presents a sort of sore thumb.
If it can be said that there is an argument between the dead or fallen —the disrupted— plant lives displayed here and those that flourish, it follows that one aspect of the fight is the stubborn, gnarled refusal of the former trees to move on: rather than decompose, they opt to dry out and stay put.
Time, it seems,
forgives, if not redeems.