Julius Hemphill, “Skin 2,” ‘Coon Bid’ness, 1975.
Julius Hemphill, “Dogon A.D.,” Dogon A.D., 1972.
Jamie Saft Trio, “Sturiel,” Astaroth: Book of Angels Vol. 1, 2005.
The various reductions I have been describing are fairly directly the results of the ongoing revolution of applied science known as “technological progress.” This revolution has provided the means by which both the productive and the consumptive capacities of people could be detached from household and community and made to serve other people’s purely economic ends. It has provided as well a glamor of newness, ease, and affluence that made it seductive even to those who suffered most from it. In its more recent history, especially, this revolution has been successful in putting unheard-of quantities of consumer goods and services within the reach of ordinary people. But the technical means of this popular “affluence” has at the same time made possible the gathering of the real property and the real power of the country into fewer and fewer hands.
*What Are People For?*, 185-6.
St. Peter & the Holymen, “Bofoo Beye Abowa Den,” Ghana Special: Modern Highlife, Afro-Sounds & Ghanaian Blues 1968-81, 2010.