I was in Colorado last week for a family event and took these pictures in the course of a hike into a very small portion of Rocky Mountain National Park. What appealed to me about these subjects was the disarray, the contrast between cleared and nearly-uniform wooded areas and meadows, and the invasive presence of the root balls and fallen trees that previously contributed to that order. Each of these photos presents a sort of sore thumb.
If it can be said that there is an argument between the dead or fallen —the disrupted— plant lives displayed here and those that flourish, it follows that one aspect of the fight is the stubborn, gnarled refusal of the former trees to move on: rather than decompose, they opt to dry out and stay put.
This group of photos was taken midday last Saturday during the Dew NBA event at the basketball courts on Pier 2 in Brooklyn Bridge Park. The general sense of activity was rather loose when I happened by, and although there was play on each court, it appeared to be entirely unsupervised, so I couldn’t tell if it was part of the event or not. Maybe I showed up between rounds and these guys were playing pickup to fill the time.
I’m not aware of another city that has our quotidian relationship with handball courts. Anyone familiar with New York City’s park system recognizes these walls with unattended indifference. Should the walls, on the other hand, appear unused and mysteriously erect and their purpose unclear, it takes only a quick query to a local to learn that they’re for handball. Like eating pizza while walking or scaffold pull-ups, handball is a not infrequently-occurring phenomenon here in New York.
A stroll on either side of the Gowanus Canal, or more likely criss-crossing the few east-west bridges from Smith or Bond Street to Second Avenue or Nevins Street, reveals a more diverse area than one might think. There are several new residential builds on the east banks, so-called luxury buildings with ample parking and common areas for their residents; handfuls of older houses, mostly two- or three-story residential buildings, some single-family, some like the vinyl-sided homes one might see in Williamsburg but perhaps not as tidy; some storefronts and light commercial properties converted or adapted into restaurants, bars, or possibly-fugitive living spaces. There are also the industrial properties that have largely defined the area, less for the landscape they create than for their contribution to the frighteningly toxic sediment in the canal bed.
And yet, at certain times of day, it appears nearly bucolic, run down in the familiar way of obselescence and a kind of attending nostalgia.