The question of how I want to sound is better derived from how well I play than the other way around. That is, I am more likely to be able to manage the sound of my kit if my strokes are assured, my sense of the kind of energy I want to create and support is clear. Without aspiration or inspiration, the best-tuned array of drums and cymbals won’t get me or my group very far.
So rather than search for a sound, I’ve come to feel that one might go so far as to take one’s sound for granted: allowing that one is, more often than not, no stranger to his or her instrument, its sound is not at issue but has in fact been chosen already. By the time one makes a noise, the decision has been made. In which light, there’s nothing to do but get on with the effort of solid play.