My favorite albums of 2023 list is up at BrooklynVegan. It’s my third such list for them and the third time I’ve immediately had other thoughts about my selections. I failed to include Bex Burch’s There Is Only Love and Fear, for example, not because I don’t think it one of my favorites from 2023, but because, embarrassingly, I forgot about it. Also Jeremy Chiu or New Future City Radio, the latter of which was most powerful and inspiring when I saw them here in New York. But that’s just one record label and so seems narrow for the purpose of a favorites list. I suppose this is the difference between a favorites list and a best of, that the favorites is simply preferences while the best of is a more direct and public critical view. All of which is to say that my favorite label of the year was once again International Anthem. Their ongoing effort to sustain a consistent release schedule, an expanding roster, and a holistic listening culture is, to me, currently unrivaled.

Another aspect of this process that comes to mind is the common sight of Andre 3000’s New Blue Sun on many end-of-year lists, including mine. I wonder how we’ll all feel about this record in the near or distant future. I imagine it won’t hold up as well as, say, Shabaka Hutchings’s Afrikan Culture, another recent release inspired by flute experiments. Hutchings is a woodwinds and improvisation virtuoso. Andre 3000, on the other hand, is more of a lightning rod for certain kinds of taste and atmosphere, always hip, always demonstrating a unique flair for contemporary preferences. It’s a different kind of innovation, I think, a sort of placeholder to remind us what we’re into, even if we haven’t heard it yet.

All of which is to say that the 2023 list reflects an honest, if not altogether thorough, appraisal of what I enjoyed this past year. I hope you find something there to enjoy yourself.