I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
“Sit down and have a drink” he
says. I drink; we drink. I look
up. “You have SARDINES in it.”
“Yes, it needed something there.”
“Oh.” I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. “Where’s SARDINES?”
All that’s left is just
letters, “It was too much,” Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven’t mentioned
orange yet. It’s twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike’s painting, called SARDINES.
My most recent trip to Los Angeles finally yielded a visit to the Watts Towers. I’m not sure what I expected to see but the effect of the towers rising, as their designer and builder Simon Rodia put it, “up to the sun,” was both breathtaking and calming. There, in the middle of a tidy, residential area, is the Watts Towers Arts Center, home to the single city block environed by the towers and their relevant structures, as well as a museum of contemporary art, a handfull of faded but still compelling murals, and some freestanding sculpture. It is a celebration of the neighborhood, the vibrancy of Watts, a full embrace of its past, and full advocacy of its present and future. There are artist residencies and music festivals, and jazz education and mentorship for emerging and developing youth musicians, but above all are the towers, Nuestro Pueblo.
[A note about the photos: I opted to develop the photos of the towers in black and white because my color versions were overwhelmed by the late-morning sunlight. The same light, of course, served ground-level photography quite well, making it possible to capture the brilliance and array of colors and textures that make up the rest of the work.]