New Freedom Sound Video Clips

Here’s two clips of Mark Cisneros and Lenny Young at Magpie Recording Studio. It’s proven difficult to pull the double duty of leading the session and documenting it, but I did manage to grab some photos 1 and these short videos.

We weren’t able to get the whole group together this past weekend as hoped. 2 We did, however, have previous contributions from a couple of us in hand and plenty of talent around. So if we weren’t all together, exactly, at least everyone’s spirit and imagination was accounted for.

  1. more coming soon!

  2. Like for so many of us right now, covid and other illnesses were inhibitive.

Day’s Plays Guest Post: Janet Morgan

[You can hear Janet’s latest music here.]

Misty In Roots: Live at the Counter Eurovision 79. I first heard Misty In Roots on John Peel way way back in the early 80’s. I learned so much from them and saw them uncountable times back in the day. I am on my second copy of this record (it was a vinyl only release) which was sent to me by a friend in London when he heard that I was in need. I listen to this ALL the time. My partner made files for me so that I can hear it on the go. Earth is a great record too.

The Blue Note: Club Culture. Having been deep in punk rock for many many years I found myself, seemingly suddenly, becoming open to different sounds and different ways of making music. Blue Note Club Culture was THAT record for me and to this day I still listen to it regularly.

We Are The World: Clay Stones. I fucking love this record and often times I feel like I am the only one. I want everyone to love it and buy it so that they continue to create. In fact I was just trying to find some more info on them to see what’s up and found a review that said of this record that “it plays like a devilish temper tantrum, where throbbing synths are overlaid with shocks of percussion, and the vocals of Megan Gold morph from possessed baptist minister to voodoo queen”. I mean … YES! Although I believe these words were meant to put potential listeners off.

The Slits: Cut. This record has the energy and confidence that I wish for myself. As a younger person I would describe this as “fuck off music”, which shouldn’t really need an explanation. And, of course, Budgie.

Agnes Obel: Citizen of Glass. Agnes Obel is a Danish singer, songwriter and musician. On this record, she layers her voice so it becomes a choir. She uses instruments such as violin, cello and piano as well as other less obvious keyboards choices like the spinet, celesta and the Trautonium, which is a monophonic electronic musical instrument invented about 1929 – an early synthesizer! This is an eerie and beautiful record.

Wildbirds & Peacedrums: Rhythm. I once read something about this Swedish duo that said something along the lines of “Wildbirds & Peacedrums was born of a desire to break free and play music that captures pure, ecstatic feeling” and this is exactly what I get from their music, especially from their record Rhythm. The seemingly easy musical banter of drums and voice is so thrilling to me.