Clogs, “Three Two,” Veil Waltz, 2010.
Uncharacteristically, I wrote the following as a Facebook comment on a post by someone I do not know. It seemed to bear repeating, if only for my own edification, so I’ve decided to post it here as well:
Ms. K—————, et al. above: I’m rarely moved to remark in spaces such as this but your comments brought the following to mind: It is ignorant and no doubt beneath your usual intelligence and sensitivity to apply any economic condition to a President’s inauguration.
The trickle-down failure was devised by Ronald Reagan and George H.W. Bush; Enron and the first Dotcom bubble were fostered under Clinton; the real estate bubble, Halliburton, the banking collapse, and Madoff’s heyday flourished during George W. Bush’s terms. President Obama is the first to assume the office in a state of near-total economic collapse on all fronts since FDR.
Should a more qualified candidate appear, I have little doubt my vote would go to him or her but in the meantime appeals to xenophobia, distrust of womanhood, and catering to ideas of self-centeredness instead of community leave me unimpressed.
I think our vote should be determined not by what we perceive as our similarity to a candidate but rather by whether or not the candidate’s plans will benefit more or fewer people. In the current campaign, the answer is clear enough to me: Obama has a broader, more inclusive, more informed, more decisive, more engaged team and strategy than his opponent. So I will vote for him even though he also represents interests and policies I might not favor.
Additionally, it might be worth having a look here to see what has, as a matter of record, been accomplished in the course of President Obama’s first term.
Mattie May Thomas, “Dangerous Blues,” American Primitive Vol. II: Pre-War Revenants (1897-1939), 2005 (rec. 1939).
John Coltrane, “Bakai,” Coltrane, 1957.
What’s most interesting to me about this tune is that it struggles alternately to stay close to then-current jazz conventions and, by including that quarantined polyrhythmic bit, move away from it. The group is characteristically satisfying but this seemingly conflicted effort is what draws me to Bakai. I feel something similar in my own music: I want it to move out from my own tradition (rock, punk, post-etc.) but if I can get it out there, I retreat to something more familiar. Why I do this is, I think, obvious enough. I’m not ready to work without a net.
Loop 2.4.3, “Zodiac Dust,” Zodiac Dust, 2009.