All This to Post a Link: Slow Movies

It’s a defense I rarely have the patience to make anymore, that of so-called slow movies, which are, of course, only slow relative to to current movie-pace conventions, whatever era’s taste might be represented in a given movie.

I think it’s worth noting, however, that slow movies are not necessarily long. When I first got into film, the chief examples of slow-movies were largely limited to European pictures from the 1970s. My personal choices for best-of-the-genre ((We could call it the Real-Time Domestic genre, allowing that “domestic” describes wherever the characters hang their hat(s), a location that might well be nowhere in particular. Other directors whose work fits or has fit into this genre are, off the top of my head, Roberto Rossellini, Michelangelo Antonioni, Jean-Luc Godard, Margurite Duras, Robert Altman, Yvonne Rainer, Takeshi Kitano, Tsai-Ming Liang, Horikazu Kore-Eda. There are dozens of others from all parts of the world and the entire history of cinema.)) are probably still Wim Wender’s *Kings of the Road* (1976, 175 minutes) and Chantal Akerman’s *Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles* (1975, 201 minutes), both long movies by any measure.

view the post >

Energies: Taking it from the Top

Before cable television and VCRs, to say nothing of the internet, music was, at the very least, a primary source of entertainment. In my home, the radio was frequently on, playing NPR or Top 40 AM radio, or else there were records being played.

From my father’s record collection, I heard jazz: Max Roach, Clifford Brown, Charlie Parker, and Miles Davis (especially the latter’s Gil Evans sessions) were handy in our house.

view the post >

Remembering Luna

Luna at the window

This healing
nick is all
I’ve got

left of the thousand
bites
and scratches
she gave
me. Slowly,

all evidence of her
love, her

defenses,
will heal

and close or be
wiped clean.

I have a ten-
second clip of her

blinking

once or
twice, the only

evidence she
moved at all.




                                                 December, 2010.

view the post >