Yusef Lateef, Psychicemotus: I was lucky enough to study with Yusef in his jazz improvisation course when I was young, and that experience made a lasting impression on me. Lateef’s body of work is prodigious – the man played flute, percussion, arranger, oboe, tenor saxophone, tambourine, Chinese flutes, bamboo flute, and more – but “Psychicemotus” off his 1965 album of the same name very much reminds me of the vibe you would find in his class improv sessions.
PJ Harvey, Rid of Me: In my humble opinion, the title track – and the entire album – is the quintessential Albini sound working at its best. I love Polly Harvey as a songwriter and performer, and this opening track from her 1993 release of the same name works through Albini’s production to capture a raw, unfiltered document of her early style and sound. Forget compression, the dynamics on this track go from whisper quite to blistering fury, and don’t you dare touch the volume knob.
Sam & Dave, Soul Men: I’ve been thinking about Steve Cropper’s guitar playing recently, in particular the amazing simplicity of his iconic riffs. This 1967 track, that everyone should know, has one of what is perhaps the best examples of Cropper’s genius, with that famous opening guitar line consisting of a simple arrangement of notes. Obviously having Isaac Hayes and David Porter as the songwriters and the backing band being Booker T. & the M.G.’s with the Mar-Keys on horns help make this song sound so good.
Thurn & Taxis, EP2: These guys are friends of mine and former musical collaborators, so I’m biased, but I think this track (and every other track) off their 2019 release EP2 is simply fantastic. The compositions are just tremendous examples of musicianship and arrangement, and “Ipoly” in particular has a terrific, triumphant tonal mood to it that I really enjoy. Roll down all the windows in your car and blast this.
Tony Conrad with Faust, Outside the Dream Syndicate: Tony was another artist I had the amazing fortune of studying under, and his outlook on creative production is a major influence in my own work. The title track from this 1973 collaboration with German rock band Faust is probably the most straightforward and approachable thing Tony ever recorded, but it definitely influenced me in my musical pursuits.
Tortoise, Millions Now Living Will Never Die: The opening track off Tortoise’s 1996 release Millions Now living Will Never Die is the song I still consider as being the high-water mark of 90’s post-rock. The movement and interplay of the different instrumental currents is really masterful, and it creates a rich musical narrative weaving throughout the aural environment. I love the band in general, and I’m a fan of their entire catalog, but this track was lighting in a bottle. Put on some headphones and lie back in a hammock to listen to this one.