I grabbed this image while my wife and I were driving east across town to the Manhattan Bridge. The location is the corner of Lafayette and Walker Streets in Chinatown. My wife was driving and I was making nearly-random exposures from the passenger seat. I don’t frequently shoot this way but have had some luck in the past and thought I’d give it a try.
I was pleased with this one, not least because it presents a pedestrian on Walker St., but also because the Vietnamese store behind her features the anomalous “records” on its awning among its many delights and sundry items. And I’m always happy to see a store that sells records.
It was over 90° when I made this exposure on the east side of Carroll Gardens. The street you see (click the image for a larger version) is a single-block one way, situated between Smith and Court Streets, whose terminal streets are one ways in opposite directions. That is, the only entry to this short street is a right turn from the direction of Smith St., and the sole exit is a right turn in the direction of Smith St.
There are other such streets in the area, but they usually stretch among longer blocks and look very much like their neighboring streets: same kinds of brownstones, mostly, same types of trees, cars parallel parked for the full lengths of the blocks. The street above, however, differs from its surroundings in two essential ways. First, its narrowness prohibits on-street parking and the buildings lack garages, so there is little, if any, car traffic. The street is thus a near-perfect place to play. Except that: second, there are no trees and therefore no shade. This latter distinction was felt acutely on the day I walked by.
Practically speaking, none of these details occurred to me when I took the picture. What did I have my eye on? My eye was on the game at the middle of the block which I had photographed from the opposite end of the street not long before. It was only while editing this photo that I noticed the boy with the placard and unseasonable Sherlock Holmes hat. And so he emerged as the image’s walker.
As to why I separate black and white photos from color photos, it has more to do with intention than spectra. However pleasant it is to see only black and white images together, if only for the sake of consistency, I’m not trying to get the same meanings or implications from one format as I am from the other. Black and white is more photographic, perhaps less concerned with how things look than how they are. Color is more difficult in that we know immediately when it’s wrong, and can thus be easily distracted from what other subjects and objects the image might be putting to work. So a photo that works in color works in part because of its fidelity to how its subject appears without being photographed. A photo that works in black and white works in spite or because of its obvious distinction from a more varied palette. Not news, necessarily, but this seems as good a place as any to think out loud. Enjoy the photos.
These photographs were taken in the course of a single walk through Brooklyn Heights. Once I split from from the familiar paths of Henry and Clinton Streets, the architectural range and history was sometimes quite surprising. A beautiful neighborhood.
