Willie Nelson, “My Own Peculiar Way,” Teatro, 1998 (Victor Indrizzo and Tony Mangurian: drums, percussion).
Zach Barocas, Diasporist Diarist
Willie Nelson, “My Own Peculiar Way,” Teatro, 1998 (Victor Indrizzo and Tony Mangurian: drums, percussion).
The Wild Tchoupitoulas, “Hey Hey (Indians Comin’),” The Wild Tchoupitoulas, 1976 (Zigaboo Modeliste: drums).
Freddie Hubbard, “Mr. Clean,” Straight Life, 1970 (Jack DeJohnette: drums).
Charles Tolliver / Music Inc., “Earl’s World,” Compassion, 1980 (Alvin Queen: drums).
Emmylou Harris, “Where Will I Be,” Wrecking Ball, 1995 (Brian Blade: drums).
Seal, “Dreaming in Metaphors,” Seal, 1994 (Andy Newmark: drums).
Marvin Gaye, “Trouble Man,” Trouble Man, 1972 (Marvin Gaye: drums).
Peter Gabriel, “The Rhythm of the Heat,” Security, 1982 (Jerry Marotta: drums, percussion).
The Meters, “Cissy Strut,” The Meters, 1969 (Zigaboo Modeliste: drums).
I think audiences are hipper than musicians think they are. They wouldn’t be there if they didn’t want to hear some music, so you don’t have to con them into believing that this music is great.